One thing about being an adjudicated festival is that 90% of our applications arrive on the last day. Would this change if our application period was longer? What do other NYC festivals (for which you can apply) do? We’ll find out, and post the results on this chart.
Edinburgh Fringe Society can only model best practices as an employer (and they do. . . and have done). The same is true for accessibility and safety issues (though the city and government are often involved in those issues). The producers of a BYOV/Open Access festival don’t rent (hire) the venues and therefore cannot be responsible for their condition. Again – they can only suggest best practices and lend assistance.
What are your thoughts about all of this? Please comment below! Or are you a FringeNYC alumnus who has also participated in the Edinburgh Festival Fringe? If so, we’d love to see you at the June 28th Convening!
In 2013, Laura Collins-Hughes wrote a piece for the New York Times about why we were an adjudicated festival (and a bit about our adjudication process). The story also gets into how controversial this decision was at the time.
More about the process we’ve used to determine our participants in an upcoming post!
Of the NYC festivals for which theatre makers can apply, we’re posting application fees, participation fees, and box office income share (if any) below. Are we right? Found an oopsie or have a comment? Let us know!
Blank Canvas Blog
Celebrating FringeNYC’s 20th Anniversary and building our future!